郭雪湖是台灣日治時期至近代最具代表性的藝術家之一，為膠彩畫的先鋒。本展覽以「生成式藝術」回應郭雪湖的經典作品，如《南街殷賑》及《滿庭香》等，透過程式演算法和AI技術，探索靜態與動態的風景對話，形成跨越百年的藝術對談。展覽聯合台灣新媒體與生成藝術家，藉由區塊鏈技術，確保作品的安全性與真實性，並開啟藝術市場的新可能性。延續郭雪湖的實驗性與前瞻視野，從歷史到當代，探索台灣生成藝術的未來方向。
Kuo Hsueh-Hu is one of the most prominent artists in Taiwan, known for his pioneering work in gouache painting during the Japanese colonial period and into modern times. This exhibition leverages generative art to engage with Kuo’s classic works, creating a dialogue between static and dynamic landscapes through algorithmic and AI techniques. This artistic conversation transcends a century, merging the past with contemporary practices.
Bringing together Taiwanese new media and generative artists, the exhibition employs blockchain technology to ensure the security and authenticity of the artworks while unlocking new possibilities for the art market. By continuing Kuo Hsueh-Hu’s experimental and visionary approach, the exhibition bridges history and the present, exploring the future direction of generative art in Taiwan.
Bridging Eras 透過生成藝術的方式，藝術家以當代視角向台灣傑出的藝術家致敬。 在這一系列的作品中，通過AI的視角創造了一種與原始作品對話的不同方式。為了增強人工智能的創造可能性，將原始藝術品分為不同的比例、切割，使AI能夠專注於特定部分，從而擴大了想象的範圍。（這種技術類似於在img2img中模糊圖像）。在成千上萬的輸出中，藝術家王新仁挑選了個人認為最有趣的那些。郭雪湖（Kuo）→ AI → 我 — P5.js風格化 通過對偉大創作者的作品進行取樣，以新的方式重現了他們藝術的細節，就像一場超越時空的對話。
Bridging Eras uses AI to reimagine Taiwanese masterpieces. By fragmenting original works, AI focuses on details, and Wang selects the most compelling pieces for a timeless dialogue with Kuo Hsueh-Hu.
